http://www.kibin.com/essay-examples/an-archetype-criticism-of-othello-a-play-by-william-shakespeare-yJF4zltX Be sure to capitalize proper nouns (e.g. As in a typical Shakespearean comedy, love, tested, triumphs over all opposition. Othello is now reduced to questioning his wife's maid, Emilia, looking for evidence of Desdemona's infidelity. As hells from heaven. Othello, being a hero, enjoys a good reputation and has notable qualities. Archetypal critics are also interested in certain myths and rituals that recur in a wide variety of cultures. Archetypal Literary Criticism. By speaking of soul as a primary metaphor, rather than defining soul substantively and attempting to derive its ontological status from empirical demonstration or theological (metaphysical) argument, archetypal psychology recognizes that psychic reality is inextricably involved with rhetoric (Hillman, Archetypal 19). An Archetype Criticism of Othello, a Play by William Shakespeare Shakespeare often focuses his plays on human nature as well as fate, which Othellos fate ended in the tragic ending due to his reversal of fortune once the claims against Desdemona begin. Othello, a play that was written in 1604 by William Shakespeare, is an example of a type of story called a tragedy. Throughout the course of the work, Othello proves himself to be very easily misled, despite his heroic status. archetypal criticism in othelloboone county wv obituaries. Archetypal criticism, then, construed as that derived from Jungs theory and practice of archetypal (analytical) psychology, is a fledgling and much misconstrued field of inquiry with significant but still unrealized potential for the study of literature and of aesthetics in general. 364-367). Then must you speak That such a man should unravel so completely, ushered by jealousy and hatred into a bestial worldview that cancels any claims of human virtue and self-less devotion, shocks and horrifies. Egypt) and titles (e.g. Othello must now face the realization of what he has done. Archetypal theory and criticism, although often used synonymously with Myth theory and crticism, has a distinct history and process. This allows our team to focus on improving the library and adding new essays. As Hillman puts it, Corbins insight that Jungs mundus archetypalis is also the mundus imaginalis that corresponds to the Islamic alam al-mithl (3) was an early move toward a reappraisal of psychology itself as an activity of poesis (24). Feminist archetypal theory, proceeding inductively, restored Jungs original emphasis on the fluid, dynamic nature of the archetype, drawing on earlier feminist theory as well as the work of Jungian Erich Neumann to reject absolutist, ahistorical, essentialist, and transcendentalist misinterpretations. Here are some examples of archetype in Shakespearean works: Lover: Romeo ("Romeo and Juliet"), Juliet ("Romeo and Juliet"), Antony ("Antony and Cleopatra") Hero: Othello ("Othello"), Hamlet . Alfiero, like Iago, similarly arouses the Moors suspicions by stealing Disdemonas handkerchief and planting it in Cassios bed-room. The traits of the tragic hero lead the audience to feel compassion for the helpless victim. Analysis. Uncover new sources by reviewing other students' references and bibliographies, Inspire new perspectives and arguments (or counterarguments) to address in your own essay. Iago tries to prove Desdemona is having an affair with Cassio which increases Othello's torments of jealousy. Nothing extenuate, An archetype is universal; it is generated by man's psyche regardless of time of place. Jungs Psychology of the Unconscious (1916, B. M. Hinkles translation of the 1911-12 Wandlungen und Symbole der Libido) appeared in English one year after publication of the concluding volume with bibliography of the third edition of J. G. Frazers The Golden Bough: A Study in Magic and Religion (2 vols., 1890,3d ed., 12 vols., 1911-15). It has been mentioned earlier that pattern in literature refers to recurrent images, forms and words. . edmonton oilers jokes archetypal criticism in othello archetypal criticism in othello. Archetypal Criticism Archetypal theory and criticism, although often used synonymously with Myth theory and crticism, has a distinct history and process. Literary Critics on Othello - Litchapter.com Analysis of William Shakespeare's Othello - Literary Theory and Criticism OTHELLO: My name, that was as fresh. Archetypes In Othello - 816 Words | Studymode In Shakespeare?s play Othello, Othello himself is the tragic hero. The direction of Othello criticism will also be affected as literary criticism's longstanding commitment to cultural historicism comes under pressure from those who argue that explorations of context often come at the expense of literature's formal properties and affective registers, and as developments in the digital humanities enable fresh Beat a Venetian and tradud the state, The formerly self-sufficient Othello has now staked his life to his faith in Desdemona and their union, and she has done the same. Given this background, it is not surprising to find in a 1976 essay entitled Jungian Psychology in Criticism: Theoretical Problems the statement that no purely Jungian criticism of literature has yet appeared (Baird 22). A feminist critique of the character Desdemona in Shakespeares "Othello Archetypal Criticism - A Companion to Literary Theory - Wiley Online Let him command, And to obey shall be in me remorse, Active Themes Emilia returns with Desdemona. I am hitherto your daughter. Source: Groden, Michael, and Martin Kreiswirth. Historical is basically know the background story before you making assumptions off the text, and to better understand text lookup time period close to the time like 1600's . Iago: My friend is dead. Archetypal Analysis of Harry Potter and the Sorcerer's Stone How to respect you; you are the lord of duty; The first systematic application of Jungs ideas to literature was made in 1934 by Maud Bodkin in Archetypal Patterns in Poetry: An attempt is here made to bring psychological analysis and reflection to bear upon the imaginative experience communicated by great poetry, and to examine those forms or patterns in which the universal forces of our nature there find objectification (vii). Othello is a man of high rank in Venice. So much I challenge that I may profess Joseph P. Strelka, 1976); Karin Barnaby and Pellegrino DAcerino, eds., C. G. Jung and the Humanities: Toward a Hermeneutics of Culture (1990); Martin Bickman, The Unsounded Centre: Jungian Studies in American Romanticism (1980); Maud Bodkin, Archetypal Patterns in Poetry: Psychological Studies in Imagination (1934); Northrop Frye, Anatomy of Criticism: Four Essays (1957); Albert Gelpi, The Tenth Muse: The Psyche of the American Poet (1975); Naomi Goldenberg, Archetypal Theory after Jung, Spring (1975); Julia Kristeva, Stabat Mater (1977, The Kristeva Reader, ed. Emilia comes into the couples bedroom after Othello smothers Desdemona, but hears Desdemona cry out. archetypal criticism in othello In Shakespeare's, An outburst that othello has in a crowd of his peers causes people to start to question their noble leader. Feminist Criticism In Othello - 1360 Words - Internet Public Library Texts and Contexts: Writing About Literature with Critical Theory. Categories: Archetypal Criticism, Literary Criticism, Literary Theory, Myth Criticism, Psychoanalysis, Tags: Achetypes, Alchemy of Discourse: An Archetypal Approach to Language, Anatomy of Criticism, Archetypal Criticism, Archetypal feminist criticism, Archetypal Patterns in Poetry, Archetypal Psychology, Archetypal Theory, Archetypal Theory and Criticism, Archetypal Theory Criticism, Claude Levi-Strauss, Ernst Cassirer, Evangelos Christou, Francis Fergusson, Frazer, Gilbert Durand, Henri Corbin, Hermes and His Children, Hillman, Imagining: A Phenomenological Study, J. G. Frazer, J. G. Frazer The Golden Bough, James Hillman, Jessie Weston, Joseph Campbell, Jung and the Humanities: Toward a Hermeneutics of Culture., Jung's Psychology of the Unconscious, Jungian Approach to Literature, Leslie Fiedler, Literary Criticism, Literary Theory, Logos of the Soul, Maud Bodkin, Myth, Myth theory and crticism, New Polytheism, Northrop Frye, Philip Wheelwright, Psychoanalysis, Rafael Lopez-Pedraza, Richard Chase, Spring Journal, Spring: A Journal of Archetype and Culture, Spring: An Annual of Archetypal Psychology and Jungian Thought, The Golden Bough, The Golden Bough: A Study in Magic and Religion, Alchemy of Discourse: An Archetypal Approach to Language. Hillman invokes Henri Corbin (1903-78), French scholar, philosopher, and mystic known for his work on Islam, as the second father of archetypal psychology. Farewell / Commend me to my kind lord. He ends up killing her out of jealousy; when she does not deserve it. Due to the Moor, my lord. He had even gone as far as hitting her (4.1 134). Othello is characterized by his plainspoken read analysis of Othello Iago Othello's disloyal standard-bearer and the villain of the play. Othello is first shown as a hero of war and a man of, The extent of which Othello is a tragic hero has been open to much debate; the basis on which he is judged falls to Aristotles established view of the crucial elements that distinguish whether a person is truly tragic. As the pair kneels together, they exchange vows: Iago: Witness you ever-burning lights above, Issues of genre, period, and language were ignored or subjected to gross generalization as Jung searched for universals in texts as disparate as the fourth-century Shepherd of Hermas, the Divine Comedy, Francesco Colonnas Hypnerotomachia Poliphili (1499), E. T. A. Hoffmans tales, Pierre Benoits LAtlantide (1919-20), and Henry Wadsworth Longfellows Hiawatha, as well as works by Carl Spitteler and William Blake. In Re-Visioning Psychology, the published text of his 1972 Yale Terry Lectures (the same lecture series Jung gave in 1937), Hillman locates the archetypal neither in the physiology of the brain, the structure of language, the organization of society, nor the analysis of behavior, but in the processes of imagination (xi). (And nope, we don't source our examples from our editing service! The tragic hero archetype is used in many different pieces of writing and with every character comes a different way of using it. archetypal criticism in othello He is an individual of high stature who is destroyed by his surroundings, his own actions, and his fate. - Alfredo Alvarez, student @ Miami University, We use cookies to provide the best possible experience on our site. Looking at William Shakespeare's Othello The Moor Of Venice, the central character, Othello is revered as the tragic hero. Sign up No products in the cart. While acknowledging the grave weaknesses of much Jungian writing on literature as unsubtle and rigid application of preconceived psychological notions and schemes resulting in particularly ill-judged or distorted readings, van Meurs still finds that sensitively, flexibly and cautiously used, Jungian psychological theory may stimulate illuminating literary interpretations (14-15). Indeed, myth criticism seems singularly unaffected by any of the archetypal theorists who have remained faithful to the origins and traditions of depth, especially analytical, psychologyJames Hillman, Henri Corbin, Gilbert Durand, Rafael Lopez-Pedraza, Evangelos Christou. Iago will direct the remainder of the play, constructing Othellos down-fall out of the flimsiest evidence and playing on the strengths and weaknesses of Othellos nature and the doubts that erode Othellos faith in Desdemona. But Jung's theory of the archetypes of the collective unconscious differs . Even though Othello had a reputation as a hero, he ends up being one of the most gullible characters in the play when he completely falls into the evil trap that Iago set for him. The patterns are the major intrinsic aspects of a work. Archetypal criticism ensures the efforts of all these concerned faculties to analyse of a text hence archetypal criticism is of immense significance. Northrop frye archetypal criticism - WikiEducator PDF Archetypal/Mythological Criticism Nor set down aught in malice. It is in Act 3 Scene 3 where Othello takes on a new persona, where his confidence and happiness is tragically replaced with jealousy and rage.